Letter 4007: I am constantly writing to tell you what energy Regulus possesses.
Pliny the Younger→Catius Lepidus|c. 104 AD|Pliny the Younger
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To Catius Lepidus.
I am constantly writing to tell you what energy Regulus possesses. It is wonderful the way he carries through anything which he has set his mind upon. It pleased him to mourn for his son - and never man mourned like him; it pleased him to erect a number of statues and busts to his memory, and the result is that he is keeping all the workshops busy; he is having his boy represented in colours, in wax, in bronze, in silver, in gold, ivory, and marble - always his boy. He himself just lately got together a large audience and read a memoir of his life - of the boy's life; he read it aloud, and yet had a thousand copies written out which he has scattered broadcast over Italy and the provinces. He wrote at large to the decurions * and asked them to choose one of their number with the best voice to read the memoir to the people, and it was done. What good he might have effected with this energy of his - or whatever name we should give to such dauntless determination on his part to get his own way - if he had only turned it into a better channel! But then, as you know, good men rarely have this faculty so well developed as bad men; the Greeks say, "Ignorance makes a man bold; calculation gives him pause," ** and just in the same way modesty cripples the force of an upright mind, while unblushing confidence is a source of strength to a man without conscience. Regulus is a case in point. He has weak lungs, he never looks you straight in the face, he stammers, he has no imaginative power, absolutely no memory, no quality at all, in short, except a wild, frantic genius, and yet, thanks to his effrontery, and even just to this frenzy of his, he has got people to regard him as an orator. Herennius Senecio very neatly turned against him Cato's well-known definition of an orator by saying, "An orator is a bad man who knows nothing of the art of speaking," † and I really think that he thereby gave a better definition of Regulus than Cato did of the really true orator.
Have you any equivalent to send me for a letter like this? Yes, indeed, you have, if you will write and say whether any one of my friends in your township, or whether you yourself have read this pitiful production of Regulus in the forum, like a Cheap Jack, pitching your voice high, as Demosthenes says, †† shouting with delight, and straining every muscle in your throat. For it is so absurd that it will make you laugh rather than sigh, and you would think it was written not about a boy but by a boy. Farewell.
[Note: See note to letter i. 8.
]
[Note: Thucyd. i. 40.
]
(†) Cato defined an orator as "a good man, skilled in speaking" ( Quintilian, xii.1 ).
(††) 'De Corona', 291.
L To Catius Lepidus.
I am constantly writing to tell you what energy Regulus possesses. It is wonderful the way he carries through anything which he has set his mind upon. It pleased him to mourn for his son - and never man mourned like him; it pleased him to erect a number of statues and busts to his memory, and the result is that he is keeping all the workshops busy; he is having his boy represented in colours, in wax, in bronze, in silver, in gold, ivory, and marble - always his boy. He himself just lately got together a large audience and read a memoir of his life - of the boy's life; he read it aloud, and yet had a thousand copies written out which he has scattered broadcast over Italy and the provinces. He wrote at large to the decurions * and asked them to choose one of their number with the best voice to read the memoir to the people, and it was done. What good he might have effected with this energy of his - or whatever name we should give to such dauntless determination on his part to get his own way - if he had only turned it into a better channel! But then, as you know, good men rarely have this faculty so well developed as bad men; the Greeks say, "Ignorance makes a man bold; calculation gives him pause," ** and just in the same way modesty cripples the force of an upright mind, while unblushing confidence is a source of strength to a man without conscience. Regulus is a case in point. He has weak lungs, he never looks you straight in the face, he stammers, he has no imaginative power, absolutely no memory, no quality at all, in short, except a wild, frantic genius, and yet, thanks to his effrontery, and even just to this frenzy of his, he has got people to regard him as an orator. Herennius Senecio very neatly turned against him Cato's well-known definition of an orator by saying, "An orator is a bad man who knows nothing of the art of speaking," † and I really think that he thereby gave a better definition of Regulus than Cato did of the really true orator.
Have you any equivalent to send me for a letter like this? Yes, indeed, you have, if you will write and say whether any one of my friends in your township, or whether you yourself have read this pitiful production of Regulus in the forum, like a Cheap Jack, pitching your voice high, as Demosthenes says, †† shouting with delight, and straining every muscle in your throat. For it is so absurd that it will make you laugh rather than sigh, and you would think it was written not about a boy but by a boy. Farewell.
(*) See note to letter i. 8.
(**) Thucyd. i. 40.
(†) Cato defined an orator as "a good man, skilled in speaking" ( Quintilian, xii.1 ).
(††) 'De Corona', 291.
◆
To Catius Lepidus.
I am constantly writing to tell you what energy Regulus possesses. It is wonderful the way he carries through anything which he has set his mind upon. It pleased him to mourn for his son - and never man mourned like him; it pleased him to erect a number of statues and busts to his memory, and the result is that he is keeping all the workshops busy; he is having his boy represented in colours, in wax, in bronze, in silver, in gold, ivory, and marble - always his boy. He himself just lately got together a large audience and read a memoir of his life - of the boy's life; he read it aloud, and yet had a thousand copies written out which he has scattered broadcast over Italy and the provinces. He wrote at large to the decurions * and asked them to choose one of their number with the best voice to read the memoir to the people, and it was done. What good he might have effected with this energy of his - or whatever name we should give to such dauntless determination on his part to get his own way - if he had only turned it into a better channel! But then, as you know, good men rarely have this faculty so well developed as bad men; the Greeks say, "Ignorance makes a man bold; calculation gives him pause," ** and just in the same way modesty cripples the force of an upright mind, while unblushing confidence is a source of strength to a man without conscience. Regulus is a case in point. He has weak lungs, he never looks you straight in the face, he stammers, he has no imaginative power, absolutely no memory, no quality at all, in short, except a wild, frantic genius, and yet, thanks to his effrontery, and even just to this frenzy of his, he has got people to regard him as an orator. Herennius Senecio very neatly turned against him Cato's well-known definition of an orator by saying, "An orator is a bad man who knows nothing of the art of speaking," † and I really think that he thereby gave a better definition of Regulus than Cato did of the really true orator.
Have you any equivalent to send me for a letter like this? Yes, indeed, you have, if you will write and say whether any one of my friends in your township, or whether you yourself have read this pitiful production of Regulus in the forum, like a Cheap Jack, pitching your voice high, as Demosthenes says, †† shouting with delight, and straining every muscle in your throat. For it is so absurd that it will make you laugh rather than sigh, and you would think it was written not about a boy but by a boy. Farewell.
[Note: See note to letter i. 8.
]
[Note: Thucyd. i. 40.
]
(†) Cato defined an orator as "a good man, skilled in speaking" ( Quintilian, xii.1 ).
(††) 'De Corona', 291.
Modern English rendering for readability. See the 19th-century translation or original Latin/Greek for scholarly use.