Letter 3010: When I was last at your house I did not tell you that I had composed some verses about your son.
Pliny the Younger→Vestricius Spurinna and wife Cottia|c. 100 AD|Pliny the Younger
friendship
To Vestricius Spurinna and his wife Cottia.
When I was last at your house I did not tell you that I had composed some verses about your son. I refrained from so doing, first, because I had not written them simply for the sake of reciting them, but in order to relieve my feelings of love and sorrow; and, in the second place, Spurinna, I thought that when you were told that I had given a recitation - as you mentioned to me - you had also heard its subject. Moreover, I was afraid of troubling you in your happiness by recalling to your remembrance your bitter sorrow. Even now I have been hesitating somewhat as to whether I should send you at your request only the verses that I actually read, or whether I should also send those which I am thinking of reserving for another volume. For my love for him was such that I find it impossible to do justice to the memory of one who was so dear and precious to me in a single volume, and his fame will be best consulted if it is husbanded and carefully expressed. But though, as I say, I am doubtful whether to show you all that I have composed on the subject, or whether I should still keep back a part, it has seemed to me that frankness and our friendship demand that I should let you have the whole, especially as you promise that you will keep them strictly entre nous until I decide to publish them. The only other request I make is that you will be equally candid with me and tell me if you think any additions, alterations, or omissions should be made. It is difficult to focus the mind on such subjects when one is in trouble, but in spite of that I want you to deal with me as you would with a sculptor or a painter who was making a model or portrait of your son. In such a case, you would advise him as to the points he should bring out and alter, and similarly I hope you will guide and direct me, for I am essaying a likeness, neither frail nor perishable, but one, as you think, which will last for ever. It will be the more durable, according to its trueness to life and correctness of detail. Farewell.
L To Vestricius Spurinna and his wife Cottia.
When I was last at your house I did not tell you that I had composed some verses about your son. I refrained from so doing, first, because I had not written them simply for the sake of reciting them, but in order to relieve my feelings of love and sorrow; and, in the second place, Spurinna, I thought that when you were told that I had given a recitation - as you mentioned to me - you had also heard its subject. Moreover, I was afraid of troubling you in your happiness by recalling to your remembrance your bitter sorrow. Even now I have been hesitating somewhat as to whether I should send you at your request only the verses that I actually read, or whether I should also send those which I am thinking of reserving for another volume. For my love for him was such that I find it impossible to do justice to the memory of one who was so dear and precious to me in a single volume, and his fame will be best consulted if it is husbanded and carefully expressed. But though, as I say, I am doubtful whether to show you all that I have composed on the subject, or whether I should still keep back a part, it has seemed to me that frankness and our friendship demand that I should let you have the whole, especially as you promise that you will keep them strictly entre nous until I decide to publish them. The only other request I make is that you will be equally candid with me and tell me if you think any additions, alterations, or omissions should be made. It is difficult to focus the mind on such subjects when one is in trouble, but in spite of that I want you to deal with me as you would with a sculptor or a painter who was making a model or portrait of your son. In such a case, you would advise him as to the points he should bring out and alter, and similarly I hope you will guide and direct me, for I am essaying a likeness, neither frail nor perishable, but one, as you think, which will last for ever. It will be the more durable, according to its trueness to life and correctness of detail. Farewell.
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To Vestricius Spurinna and his wife Cottia.
When I was last at your house I did not tell you that I had composed some verses about your son. I refrained from so doing, first, because I had not written them simply for the sake of reciting them, but in order to relieve my feelings of love and sorrow; and, in the second place, Spurinna, I thought that when you were told that I had given a recitation - as you mentioned to me - you had also heard its subject. Moreover, I was afraid of troubling you in your happiness by recalling to your remembrance your bitter sorrow. Even now I have been hesitating somewhat as to whether I should send you at your request only the verses that I actually read, or whether I should also send those which I am thinking of reserving for another volume. For my love for him was such that I find it impossible to do justice to the memory of one who was so dear and precious to me in a single volume, and his fame will be best consulted if it is husbanded and carefully expressed. But though, as I say, I am doubtful whether to show you all that I have composed on the subject, or whether I should still keep back a part, it has seemed to me that frankness and our friendship demand that I should let you have the whole, especially as you promise that you will keep them strictly entre nous until I decide to publish them. The only other request I make is that you will be equally candid with me and tell me if you think any additions, alterations, or omissions should be made. It is difficult to focus the mind on such subjects when one is in trouble, but in spite of that I want you to deal with me as you would with a sculptor or a painter who was making a model or portrait of your son. In such a case, you would advise him as to the points he should bring out and alter, and similarly I hope you will guide and direct me, for I am essaying a likeness, neither frail nor perishable, but one, as you think, which will last for ever. It will be the more durable, according to its trueness to life and correctness of detail. Farewell.
Modern English rendering for readability. See the 19th-century translation or original Latin/Greek for scholarly use.