Letter 49: If anything deserves our fostering care, it is the sacred art of music.

To Ecdicius, Prefect of Egypt. If anything deserves our fostering care, it is the sacred art of music. Select from the citizens of Alexandria boys of good birth, and arrange for each of them to receive two artabae [about 80 liters] of grain per month, along with olive oil and wine. The Treasury overseers will provide them with clothing. For now, choose the boys for their voices. But if any of them prove capable of advancing to the higher study of music theory, let them be informed that they will have my full support. Music is a divine art, and it should not be allowed to die for lack of patronage.

To Ecdicius, Prefect of Egypt [362 or early in 363, from Antioch] If there is anything that deserves our fostering care, it is the sacred art of music. Do you therefore select from the citizens of Alexandria3 boys of good birth, and give orders that two artabae 4 of corn are to be furnished every month to each of them, with olive oil also, and wine. The overseers of the Treasury will provide them with clothing. For the present let these boys be chosen for their voices, but if any of them should prove capable of attaining to the higher study of the science of music, let them be informed that very considerable rewards for their work have been set aside at my court also. For they must believe those who have expressed right opinions on these matters that they themselves rather than we will be purified in soul by divinely inspired1 music, and benefit thereby. So much, then, for the boys. As for those who are now the pupils of Dioscorus the musician, do you urge them to apply themselves to the art with still more zeal, for I am ready to assist them to whatever they may wish. 3 For the study of music at Alexandria cf. Ammianus Marcellinus 22. 16. 17, nondumque apud eos penitus exaruit musica, nec harmonia conticuit. 4 The artaba, an Egyptian dry measure, was equivalent to about nine gallons. 1 Julian does not mean sacred music in particular; cf. Vol. 1, Oration 3. 111c, where θεία is used of secular music.

[Πρός: Ἐκδικίῳ] Ἄξιόν ἐστιν, εἴπερ ἄλλου τινός, καὶ τῆς ἱερᾶς ἐπιμεληθῆναι μουσικῆς. ἐπιλεξάμενος οὖν ἐκ τοῦ δήμου τῶν Ἀλεξανδρέων εὖ γεγονότας μειρακίσκους ἀρτάβας ἑκάστῳ σίτου κέλευσον δύο τοῦ μηνὸς χορηγεῖσθαι, ἔλαιόν τε ἐπ αὐτῷ καὶ οἶνον· ἐσθῆτα δὲ παρέξουσιν οἱ τοῦ ταμιείου προεστῶτες. οὗτοι δὲ τέως ἐκ φωνῆς καταλεγέσθωσαν. εἰ δέ τινες δύναιντο καὶ τῆς ἐπιστήμης αὐτῆς εἰς ἄκρον μετασχεῖν, ἴστωσαν ἀποκείμενα πάνυ μεγάλα τοῦ πόνου τὰ ἔπαθλα καὶ παρ’ ἡμῖν. ὅτι γὰρ πρὸ ἡμῶν αὐτοὶ τὰς ψυχὰς ὑπὸ τῆς θείας μουσικῆς καθαρθέντες ὀνήσονται, πιστευτέον τοῖς προαποφαινομένοις ὀρθῶς ὑπὲρ τούτων. ὑπὲρ μὲν οὖν τῶν παίδων τοσαῦτα. τοὺς δὲ νῦν ἀκροωμένους τοῦ μουσικοῦ Διοσκόρου ποίησον ἀντιλαβέσθαι τῆς τέχνης προθυμότερον, ὡς ἡμῶν ἑτοίμων ἐπὶ ὅπερ ἂν ἐθέλωσιν αὐτοῖς συνάρασθαι.